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This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects. comments from imdb: This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films. This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away. The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking. I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever. 15 out of 10 and then some. 10/10 Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy. And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy. The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks". Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
日恐科學(xué)怪人！有了
如果人類不得不以非人的方式存活下去，那么人的意義在哪里呢
人體試驗(yàn)之類的電影，有點(diǎn)沒(méi)看懂，還可以
已收
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日恐啊這是，看起來(lái)挺稀有的，收藏為主
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保存有
又是一部典型的具有世紀(jì)末氛圍和世紀(jì)末思維的電影。三位人造人表現(xiàn)出的反抗與自刅的行為都表明他們完成了由人造人向擁有一部分人類意志的脫人類轉(zhuǎn)化的過(guò)程。但結(jié)尾描繪的幾乎是一種獨(dú)屬于大和式的、追求絕對(duì)純粹與理想主義的結(jié)局形態(tài)。（ps：據(jù)我所知，當(dāng)時(shí)沉迷于這種風(fēng)格影視作品的導(dǎo)演，多半都有地下文化的血統(tǒng)。特別是得知這部電影的導(dǎo)演是川村毅之后，再結(jié)合其卡司之強(qiáng)大，更印證了這個(gè)想法。）
keep calm and commit suicide
博士，人造人，超人類，人類，死吧教。。。
沒(méi)意思！
已有
一面是人類的「集體自殺」還是對(duì)自身的厭惡，一面又是對(duì)「生命」復(fù)活的超能力，日本亞文化與審美環(huán)境下的重制「科學(xué)怪人」非常形式主義，同時(shí)又被自?shī)首詷?lè)與某種無(wú)法理解的「表現(xiàn)/表達(dá)主義」，成為一種「開(kāi)放垃圾場(chǎng)」式的折磨。