1 ) 很隨便的影評(píng)來了,內(nèi)含劇透,但是根本無所謂不是嗎?
很隨便的影評(píng)來了,內(nèi)含劇透,但是根本無所謂不是嗎?
在法國(guó)某城的ugc的最大影廳看的
週末晚上,一般這個(gè)位置極佳的30號(hào)影廳(唯一一個(gè)門口就有洗手間的影廳,其他都要上樓下樓幾百米)會(huì)放最熱門的電影,然後還是一位難找。
但是今晚竟然可以任意挑傳說中的影廳裡處於2/3的最佳觀影座。
講了那麼多就是想說,這個(gè)系列已經(jīng)日落西山了。
回到劇情,延續(xù)超小成本製作,關(guān)係到人類安危的研究室竟然設(shè)在一艘連電力都會(huì)出現(xiàn)問題的舊漁船上,編劇是對(duì)西班牙政府有不滿嗎?
這個(gè)時(shí)候出現(xiàn)了港劇的經(jīng)典橋段,船長(zhǎng)作死的說出了多句“這次是我最後一次航行,要回家享?!敝惖谋厮赖脑?。
西班牙人延續(xù)了美國(guó)恐怖片風(fēng)格,不包括動(dòng)物,第一個(gè)死的果然還是看起來應(yīng)該是南美原住民或者東南亞臉孔的廚師。接著若干唧唧歪歪的軍人後才是修理工黑人大哥。中間還來一段種族歧視的話。
影片除了幾個(gè)攝像頭的畫面外,終於不是攝像機(jī)第一人稱角度,但是你以為這樣就不晃了嗎?導(dǎo)演給一巴掌,錯(cuò),這次是在船上。所以就算攝像機(jī)不晃,畫面還是晃的,不過已經(jīng)比前幾部好太多了?;问菍?dǎo)演刻畫氣氛的唯二選擇之一,唯二之二是下面會(huì)講到的噪音。
整個(gè)片中印象最讓人深刻,還是像the rock 那種塊頭的男人們和女主不分性別,個(gè)子,性格,長(zhǎng)相,種族,都無一例外的大喊大叫,並充斥者整部影片。
建議片名可更為《死喊錄像》
片中除了不死之神附身的女主,貫穿到最後沒死的竟然是片中的信息工程師,典型的不起眼好吃好色又理科人才的小胖子。憑著一股暗戀女主已久的激情一路開掛殺到最後,救了女主救了自己,還救自己人生-終於不用通過電視或者監(jiān)視器看女主了。
說了那麼多,沒說劇情。因?yàn)楹芎?jiǎn)單。
就是拿猴子做實(shí)驗(yàn),找解藥。
結(jié)果被惡魔附身的,原本是演大正派的大塊男突然反目,變成反派,原來他在第一部女主被拖走之後,再救出女主的時(shí)候,已經(jīng)雙眼通紅,被感染了,還吞了蟲。
所以醫(yī)生才在女主身上什麼也沒檢查到,但是中間女主的肚子裏面動(dòng)來動(dòng)去的是什麼,是肚子餓了嗎,還是是一個(gè)巨大的bug,無所謂,有胸就好。另外,那條蟲的塑造略顯粗糙,一條可以控制人的蟲長(zhǎng)得也太隨便了。
又講歪了,回到主線,拿猴子做實(shí)驗(yàn),大塊男放了猴子,猴子咬了廚師-廚師拿猴子做了飯(敬業(yè)精神不一般,帶病工作,到死的一刻,都不離開工作崗位,憂心人民的溫飽,堅(jiān)持到把飯菜都做好。)-吃了飯的人被傳染-開始咬人-人逃-人死-內(nèi)訌-男主被揭穿-男主又想把蟲放回女主身體,吃了你的給你吐回來(沒看明白,還是想讓女主再吞一條??jī)上x團(tuán)聚?)-女主在小胖子幫助下殺男主,乘船出逃-蟲子鑽到大魚肚子。
下部,海中水怪將登場(chǎng),如果拍成跟伊藤潤(rùn)二的《魚》一樣就屌了。
2 ) 《死亡錄像4》 2017.09.17
作為第二部的續(xù)集,這部拍得有點(diǎn)讓人失望,恢復(fù)正常的拍攝手法,當(dāng)然了,如果一直用第一視角會(huì)讓人覺得很尷尬。根據(jù)官方的報(bào)道,這是改系列的最后一部,以后不會(huì)再出相關(guān)的續(xù)集,但這一部作為收尾,明顯有點(diǎn)倉促,第二部莫名其妙的神學(xué)到了第四步就變成了生化之間的較量,小女孩出現(xiàn)惡魔護(hù)身的情況是因?yàn)榧纳x的原因。這第四部的改動(dòng)就讓很多東西站不住腳了。
1.寄生蟲看樣子是無法繁殖的,可以感染,碰到強(qiáng)勁的宿主才會(huì)轉(zhuǎn)移,那么小女孩的時(shí)代,為什么一直都存在于小女孩的身體里,沒有轉(zhuǎn)移宿主?
2.為什么寄生蟲會(huì)對(duì)十字架這么敏感?
3.這真是神一般的寄生蟲,能夠操控感染者,而已可以實(shí)現(xiàn)對(duì)話,這比寄生獸還要寄生獸。
最為系列的最后一集,終于收?qǐng)隽?,但是不推薦看。
3 ) Jaume Balagueró & Manuela Velasco is Return!This is About the Kill,Bloody & Gore on REC 4 Apocalypse,
After the demise of the Spanish Police GEOs team sent in to deal with the situation in the second film, the fourth film opens with the Army taking control and sending in a Special Forces Team to recover ángela and destroy the building. They begin setting bombs all over the apartments, but when they're ambushed by the infected Manu and the old man, they then kill them off and kill the officers infected as well. They then hear ángela's screams for help and tell her it is time to get out.
ángela wakes up in a room where Doctor Ginard is performing tests on her. He asks her if she remembers anything and she says no. Ginard takes a blood sample to make sure she's clean. A GEO, Guzman, finds an elderly lady, who is revealed to be the only survivor of the events of the third film. He meets up with his partner, Lucas. ángela attempts to escape the lab, and runs into Guzman. Both discover they are on a boat. Doctor Ricarte and the soldiers tell them that the situation is under control as ángela's blood returned clear of any infection.
Guzman is introduced to Captain Ortega, who's making his last voyage, and Nick, who's in charge of com-apps. Nick is trying to recover the footage from ángela's camera. Later that night, a blackout occurs. Guzman finds ángela walking in the hallways of the ship. She claims to have gotten scared and Guzman keeps her wandering a secret. The next afternoon, ángela meets Nick, who's a huge fan of hers. He shows her the tape and ángela begins to remember Tristana Medeiros. Nick also sends the file to the labs for them to look over.
Ricarte and his team discover that their test subject, an infected monkey, was released during the blackout. The monkey attacks and infects the ship's cook. Their blood contaminates the ship's food supply, which infects most of the crew through ingestion. After unsuccessfully testing an antidote on the cook, they leave ángela, Guzman, Lucas and the old woman in the cafeteria. It turns out Lucas took a sample of blood from the building and knows that the people in charge are the Vatican. After they arm themselves with knives and kill two infected men and a monkey, the old woman is separated and Lucas volunteers to find her while Guzman and ángela go to the Captain and Nick for help.
Ricarte gives up with nothing left to do to stop the infection and then decides to pursue the “protocol.” Just before doing so, his assistant informs him of receiving the uploaded footage. Ricarte witnesses Tristana inserting a worm-like parasite into ángela. He attempts to extract the parasite by forcing surgery on ángela, who pleads that she doesn't know what he's talking about, but before an incision can be made, the captain's assistant who is now infected breaks in and bites Ricarte's assistant which allows ángela to escape. Ricarte and his team then go to search for ángela but then seals himself away after the cook is released and attacks his team only to be attacked by ángela, who bites him, telling him to scan his blood and see for himself that he is mistaken. Guzman, Lucas and Nick then try to find weapons and a way to restart the ship. Nick then tells them that ángela is alive so Guzman goes to find her while Lucas and Nick head to the boiler room. Ricarte proves ángela's theory when his analysis returns negative. Still, Ricarte is convinced that ángela is tricking them so Guzman asks ángela if she is, but then she asks Guzman if he has been tricking them all along. It's revealed that ángela passed the parasite into Guzman during her rescue. Ricarte then sets the ship to self-destruct and escapes while Guzman traps ángela below.
Lucas is then killed by the infected in the boiler room and Nick finds Ricarte, who has a lifeboat. Nick asks for ángela but Ricarte tells him she's as good as dead. Nick knocks him out, takes the lifeboat and searches for her. He later finds her, and both kill the infected monkeys with a boat-motor. They hide from the infected in the cafeteria and then are attacked by Guzman. The parasite possessing Guzman then attempts to reinstate itself into ángela but she kills Guzman with a fishing pole thanks to Nick. ángela and Nick leave the boat as all the infected chase after them. ángela jumps into the ocean and Nick follows, escaping as the ship explodes. Underwater, the Parasite gains consciousness and dives into a fish's mouth.
During the credits, ángela and Nick are shown in a cab, having made it home.
Filming:
On 3 May 2010, Bloody Disgusting announced that "...Filmax will produce two new [REC] films in the next couple of years called [REC] 3: Genesis and [REC] 4: Apocalypse with the same directors as the first two films".Genesis was released on 30 March 2012. It was directed by the Co-founder of the REC franchises, Jaume Balagueró, who co-wrote the script along Manu Diez.Carlos Fernández, Julio Fernández and Alberto Marini returned 4th time as executive producers.
In an interview with Fangoria, director Balagueró stated that the film would not have an apocalyptic style presumed by its title, stating, "All of the movies in the [REC] series have the same budget, so you’re not really going to see big scenes of Barcelona full of zombies; they’re just not intended that way. There has to be a story that’s controlled and strong." Apocalypse is set to follow the events of the second film, and will not be made in the "found footage" style. Production was scheduled to begin in 2013. At the 2012 Sitges Film Festival, it was announced the film would have its world premiere there in October 2013. An announcement trailer was released in late November, confirming the return of Manuela Velasco.[citation needed]
However, in early May 2013, Balagueró stated that the film's production had been delayed and the film would now premiere sometime in mid-2014, but did confirm that Manuela Velasco would be starring in the fourth film. Teaser posters and an updated premise were released early May. Filming began on 13 July 2013 in Gran Canaria, aboard a Russian merchant navy ship.A theatrical trailer for the film was released in April 2014.
Rated:R18+
Review of the Film Final Rated:2/5(2/10)
4 ) 這和記錄恐怖片有什么關(guān)系
醫(yī)院,住宅樓,廢棄工廠...這次死亡錄像將片場(chǎng)轉(zhuǎn)移到了船上。坦誠(chéng)的說這部電影感覺上合記錄類恐怖片毫無一點(diǎn)關(guān)系,錄像機(jī)在片中也只是出現(xiàn)過一次。喪尸類電影始終離不開變異,相互傳染,這部電影到也貼切循規(guī)蹈矩。片中的亮點(diǎn)是喪尸妝容,滿臉的斑和腐爛更給喪尸添加了一些恐怖,雖然數(shù)量出現(xiàn)的并不多,但是恐怖程度不錯(cuò)。殺喪尸的工具也是一樣的循規(guī)蹈矩,最終還是電鋸來的痛快。還有值得一提的感染源與猴子的作用,如此善逗血腥的猴子要比瘋狗更加恐怖,可惜描述不多。在廚房猴子和廚師那一站充滿血腥。如果要是恐怖片效果很不錯(cuò),但是記錄恐怖片離題材還是太遠(yuǎn)。
5 ) 安琪拉從小精靈變成了戰(zhàn)斗女神
死亡錄像是個(gè)偽記錄恐怖片IP
因此,這部是失敗的,偽紀(jì)錄片全是錄像帶的回憶,拋棄了核心元素
但本人其實(shí)看晃來晃去的鏡頭覺得累,第一部看得有點(diǎn)暈,第二部特警把攝影機(jī)拿著很穩(wěn)看得挺舒服的
我的評(píng)論你可以理解為只是單獨(dú)的評(píng)論第四部,而不是評(píng)論系列第四部,當(dāng)然前幾部我看過
這一部走了美式恐怖片的路線,而且不輸給好萊塢B級(jí)恐怖片,甚至在人性方面更勝一籌,說真的,有點(diǎn)釜山行的人性了,哦當(dāng)然,跟釜山行比差很多
看著女記者被所有人拋棄,差點(diǎn)被解剖,那叫一個(gè)難受啊,連把她當(dāng)做女神的肥宅都因?yàn)槟懶《鴴仐壦?,沒想到是喪尸救了女記者一名
女記者逃跑時(shí),肥宅愣住了,居然不是跟著女記者一起走,這肥宅,而且肥宅后面還拋棄了那個(gè)因?yàn)樗麄兘o的實(shí)在是太多了而有愧疚感開始贖罪的小哥,其實(shí)那個(gè)小哥,我覺得沒必要寫死,不過以肥宅的戰(zhàn)斗力和膽子,估計(jì)也救不了他,現(xiàn)實(shí)里,很多人也會(huì)選擇逃跑吧
還好是西班牙電影,如果是美國(guó)電影,估計(jì)最后給肥宅和女記者來個(gè)熱吻在一起什么的,那我接受不了
反派方面,首先是那個(gè)領(lǐng)頭人,權(quán)力最大的那貨,真是必死啊,女記者咬了你,你都知道她是無辜的了,還一根筋的以為是她隱瞞了什么,死得大快人心
就像那個(gè)醫(yī)生,跟狗似的一直服侍領(lǐng)頭人,最后被領(lǐng)頭人殺了,活該啊
我是期待女記者干掉領(lǐng)頭人的,沒想到劇情走向是女記者選擇證明自己的清白,這點(diǎn)刻畫得很不錯(cuò),換成性子急的人,肯定一刀下去干掉這個(gè)敵人了
反轉(zhuǎn)也是不錯(cuò)的,看似最正義的救了女記者的特警,早已被蟲子附身,怪不得他會(huì)第一個(gè)背叛女記者,說真的,一開始我還沒猜到他是附身了,以為他就是人性的暴露,拋棄了女記者,選擇相信領(lǐng)頭人,以為可以制造出血清
這電影無縫銜接第二部,有加入了第三部,可以說是布局挺不錯(cuò)的,其實(shí)以它的世界觀,可以拍好幾部呢,最后蟲子也沒死,要去禍害海洋了,不過2021年了,都沒有續(xù)集,估計(jì)是徹底完結(jié)了
說真的,不比好萊塢恐怖片差,而且很多好萊塢恐怖片還因?yàn)樗劳鲣浵耖_始了偽紀(jì)錄片模式
看到有人覺得女記者老了,我覺得依舊很耐看,以前是個(gè)精靈,現(xiàn)在是個(gè)戰(zhàn)斗女神,抄起家伙干壞人有點(diǎn)米拉的味道,畢竟都是喪尸片
如果你是個(gè)偽紀(jì)錄片迷,覺得這片是爛片的話,我同意你的觀點(diǎn),因?yàn)樗鼟仐壛撕诵脑?/p>
看這一部前我就知道它拋棄了偽紀(jì)錄片元素,但我不是為了看偽記錄才看死亡錄像的,所以,單獨(dú)作為一部B級(jí)恐怖片來看的話,我覺得挺不錯(cuò)的
6 ) 可惜沒有延續(xù)1和2的劇情......
首先我想吐槽第三部的劇情真的非常狗血..叫起源完全日不懂...第二部至少告訴我們們敵人是誰....當(dāng)然要說起源應(yīng)該是解釋附身的寄生蟲到底怎么來的....第二部給第一部的結(jié)尾銜接的太妙了...惡魔女為何一直能藏在頂樓沒有被發(fā)現(xiàn).也呼應(yīng)第一部的設(shè)定...可惜啊第三部太讓人失望了...這么秒的劇情戛然而止...
第四部承接1和2劇情有進(jìn)展但是最后依然又挖了坑......當(dāng)然了如果可以有第五部前面的劇情還是可以圓回來的...那大概個(gè)寄生蟲其實(shí)就好比定時(shí)炸彈...是惡魔為了侵入表世界埋下的種子....等待爆發(fā)而已...第一部的惡魔女算是第一個(gè)被附身的.....只能用夜視儀看到惡魔女和環(huán)境也會(huì)發(fā)生變化...這個(gè)設(shè)定很妙(惡魔只能在黑暗中現(xiàn)身或者鏡子中顯現(xiàn)真身)....說明只有真正的始祖才有的能力...被咬的人只是充當(dāng)打手...
7 ) 主播遇到真愛粉,已經(jīng)沒有什么可以阻止他們的了。
2014年,恐怖劇情驚悚電影《死亡錄像4:?jiǎn)⑹句?| [REC] 4: Apocalipsis》
沒想到都爛尾了還能拍出第四部來。。也是辛苦了。
劇情已經(jīng)沒剩下什么了,連腦子都用不上了 剩下的就是腦殘的槽點(diǎn)了。
先從電影名開始吐槽吧,第三部起源?第四部啟示錄? 這是什么設(shè)定? 亂起名字。。
對(duì)一個(gè)樓房都可以如此的大動(dòng)干戈,在第一部里,那防護(hù)措施弄的。。然后這部集中的研究地點(diǎn)居然是一艘破船。還沒什么隔離和保護(hù)措施。是沒錢拍了吧。
我怎么記得第二部只有女主活下來了?那個(gè)男的是誰來的。。。
從病毒到宗教,從宗教到寄生蟲。。如果說被附身是因?yàn)榧纳x。。那么多年查不出來唄。。這貨簡(jiǎn)直堪比外星生物。。
結(jié)尾還有心思拍5唄。。其實(shí)和什么恐怖食人魚,水下怪物連起來就好了。。也別拍了,鐵線蟲就不錯(cuò)。。
中間的槽點(diǎn)更是多,死亡錄像 也沒有錄像了,只剩死亡了。。女主感覺也老了許多了。。想想也7年了。。
回頭來看其實(shí)就第一部非常的點(diǎn)題,也非常的好看,封閉空間恐怖實(shí)錄。懸疑謎題點(diǎn)到即止讓人意猶未盡。后面基本都是狗尾續(xù)貂了。。變成非常粗糙的血漿電影了。
----------我是主播的分界線----------------
推薦指數(shù):★★(4/10分),主播遇到真愛粉,已經(jīng)沒有什么可以阻止他們的了。
8 ) 續(xù)集的導(dǎo)演和編劇為什么都用些腦殘??
從第3部入坑的,后來看過1.2,我缺覺得第3部是最精彩的,兼具戲劇和恐怖還有真愛的力量。。。新娘的黑化裝和行為撐起了一整部電影,屌的飛起,這部實(shí)話說,可以拍的很好的,但是硬生生拍成了腦殘片!
很多地方強(qiáng)行拗劇情,尼瑪一個(gè)特種小隊(duì)到一棟大樓去按炸彈,居然會(huì)被幾個(gè)感染者咬了,像這種小隊(duì),前進(jìn)和后退應(yīng)該都是有陣型的,而且遇事甭管你是人是鬼,先干他涼的一炮再說,可這小隊(duì)表現(xiàn)的卻如街頭混混一樣的水平。。。最離譜的是,炸彈還有最后幾分鐘要炸了,那腦殘居然聽到個(gè)聲音就跑去救人,你當(dāng)你是超人嗎?我追好奇的是,見到那個(gè)女的的時(shí)候只剩最后一分鐘爆炸,沿途還有感染者襲擊,他們到底是怎么安全下來的?這兩貨不會(huì)真的是超人吧?
這么重要的研究就在一艘民用的破船里進(jìn)行??這群人不會(huì)是哪個(gè)非洲難民國(guó)吧?你他么搞個(gè)潛水艇會(huì)死啊?而且全片很多次有‘沒有彈藥了’的對(duì)話出現(xiàn),他么的非洲難民小國(guó)錘實(shí)無誤!!最重要的研究密室居然被個(gè)‘黑客’直接打開了。。。而且密室有人進(jìn)去干了點(diǎn)臟活累活出來居然沒人發(fā)現(xiàn)。。。你們這些人是不是趁停電偷偷吃了一口屎??還是說你們外面守門的人都是機(jī)器人,停電就不好用了??
諸如此類的腦殘劇情不計(jì)其數(shù),簡(jiǎn)直跟小孩過家家一樣?,F(xiàn)在很多恐怖片看著讓人想睡覺就在于此了,故意放些明顯腦殘的角色,設(shè)計(jì)些明顯腦殘的劇情,搞的像給小孩看的一樣,小孩碰到長(zhǎng)的丑的怪蜀黍都會(huì)被嚇哭,難道你指望我們也被怪蜀黍嚇哭???
我喜歡第三部的女主就在于女主是個(gè)優(yōu)秀的人類,智商在線,勇敢,聰明,身手好,我覺得我碰到那種情況我也不會(huì)表現(xiàn)的比她更好了,這才是恐怖的地方!而恰好女主顏值高,還有大長(zhǎng)腿,還是婚紗。。。。
不錄也就算了,從第二部開始變宗教向,到了這一部又說是寄生蟲,一個(gè)鬼寄身蟲宿主怕毛十字架和圣水(第二部和第三部里)啊……
雖然還是巴列卡諾,但是越看越不對(duì)勁了
這系列走到今天這步可真是不堪…
3.5星。死亡錄像4:粉絲的力量。
沒有一個(gè)人物是喜歡的,完全狂奔人性自私路線;只有近尾處的一個(gè)轉(zhuǎn)變有戲劇感:好人原來是壞蛋,是真正寄主,除此之外,完全沒看點(diǎn)
副標(biāo)題真是亂取名字,第三部叫《起源》,這一部叫《啟示錄》,起源什么呢?啟示什么呢?真他媽矯情。感覺這一部才是第三部。因?yàn)楣适赂窬肿兇螅匀∠艘欢康牡谝蝗朔Q拍攝方式,帶入感變?nèi)酢?/p>
tm怎么每部的設(shè)定都改啊?!從喪尸到宗教到寄生蟲……
僵尸版泰坦尼克號(hào)啊 = =
每況愈下
淪為生化危機(jī)檔次了
就3沒看過。。。不過這一部只是淪為了一部普通的僵尸電影,毫無特色。2年后再看評(píng)論。。真是忘一干凈。。3起碼記得自己看過
如果當(dāng)作肥仔向女神表白電影來看,還有點(diǎn)萌
艾瑪比上一部還難看… 何苦要拍。
西班牙語原聲。油輪
還留伏筆?!別再拍了,一那種緊迫感密閉感就留作經(jīng)典,別再續(xù)了。。。
三四集開始已經(jīng)徹底摒棄了前兩集讓人稱道的偽紀(jì)錄片模式,回歸喪尸題材最原始的嗜血虐殺,不變的依然是密閉空間的環(huán)境設(shè)定。生化危機(jī)系列早已科幻化,行尸走肉里的喪尸丑陋干癟遲鈍,死亡錄像系列才是喪尸電影應(yīng)有的樣子子,血性生猛狂躁。
猛男不靠譜,美女還需宅男救。貨輪疾速喪尸,魚叉馬達(dá)皆爆頭,肉醬一眾瘋猴子。徹底放棄偽紀(jì)錄片風(fēng)格后,這個(gè)系列就極其平庸起來,拍得還沒上一集婚禮喪尸有趣
既然叫死亡錄像...那么問題來了,錄像都去哪兒了.最后那鏡頭,可以無縫銜接食人魚3D或者3D食人蟲亦可.
最后一部蟲子下海了
整體是X檔案式的神棍科幻。孤島舞臺(tái)搬到了船上。第三部是與一二時(shí)間線同步的番外,所以這第四部跟前兩部湊個(gè)三部曲,而且把第二部的奇幻又扳回了科幻,這樣布局特有意思(就像把本格變成變格又變回本格的今敏的妄想代理人那樣),加上攝影剪輯故事節(jié)奏利索,個(gè)人很喜歡這個(gè)系列。