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    • 正在播放:死神假期-HD中字

    死神假期

    愛(ài)情片/美國(guó)/1934
    當(dāng)前位置:首頁(yè) 愛(ài)情片 死神假期

    死神假期

    評(píng)分:
    0.0很差

    分類(lèi):愛(ài)情片美國(guó)1934

    主演:弗雷德里克·馬奇  伊夫琳·維納布爾  蓋伊·斯坦丁  凱瑟琳·亞歷山大  吉爾·帕特里克  凱瑟琳·霍華德  肯特·泰勒  亨利·崔佛斯  G·P·亨特利  莫洛尼·奧爾森  赫克托·薩爾諾  菲利普斯·斯莫利  Helen Westley  Anna De Linsky  Otto Hoffman  Frank Yaconelli  ?

    導(dǎo)演:米切爾·萊森?

    猜你喜歡

     劇照

    死神假期 劇照 NO.1死神假期 劇照 NO.2死神假期 劇照 NO.3死神假期 劇照 NO.4死神假期 劇照 NO.5死神假期 劇照 NO.6死神假期 劇照 NO.16死神假期 劇照 NO.17死神假期 劇照 NO.18死神假期 劇照 NO.19死神假期 劇照 NO.20

    劇情介紹

      Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
      If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
      [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
      To see what’s behind all the conversation about love, the suave but na?ve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
      More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
      (Howard Schumann, talkingpix.co.uk)
      In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
      (Dennis Schwartz, homepages.sover.net)
      I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.
      (Dave Sindelar, scifilm.org)
      See also the remake: Death Takes A Holiday (1971)

     長(zhǎng)篇影評(píng)

     1 ) 愛(ài),與死亡同樣強(qiáng)大

    超級(jí)好看?。。∧兄魇乔靶┨靹偪赐甑摹栋装l(fā)紅顏未了情》的男主扮演者——馬奇????34年簡(jiǎn)直太帥了?? 強(qiáng)烈推薦大家看這部電影!小喜劇但極其富有哲理,表演和臺(tái)詞,再加上劇情,太老繃了,甚至緊追老莎的風(fēng)格(意大利作家就是不一般),十分推薦。節(jié)奏也不快也不慢。雖然沒(méi)有直接拋出人世間所面臨的苦楚,但卻以死神為主人公慢慢了解和釋?xiě)讶耸篱g的美與丑,愛(ài)情與時(shí)間。超級(jí)好看??

     2 ) 死神的小假期

    7/10

    一部節(jié)奏很慢,故事內(nèi)容比較有趣,結(jié)局不怎么爛俗的奇幻電影(這只能算超現(xiàn)實(shí)題材吧= =)。“remake不如原版”這種評(píng)價(jià)確實(shí)很無(wú)新意,但這部老片真的是比Meet Joe Black好看——至少80分鐘的“不是很精彩”無(wú)論如何都要比三個(gè)小時(shí)的“很無(wú)聊”好不少。

    舞臺(tái)劇本是位意大利作家寫(xiě)的,這個(gè)故事也充滿了那種“不著調(diào)的浪漫和神秘”,也少有翻拍版中的說(shuō)教和歌頌人性。舉手投足就像戲劇演員的死神在人間度假了三天,試圖弄明白人為何怕死;而最終死神發(fā)現(xiàn),love就是原因。這不算一部愛(ài)情片,因?yàn)閻?ài)情戲份很少,女主角也缺乏說(shuō)服力(到片尾我也沒(méi)覺(jué)得她對(duì)死神有什么情感);也沒(méi)有翻拍版里冗長(zhǎng)的親情煽情部分(那版幸好有Hopkins演老父親,要不然這條線會(huì)更無(wú)聊);更沒(méi)研究過(guò)死神吃沒(méi)吃過(guò)花生醬或者會(huì)不會(huì)做愛(ài)(考慮到已經(jīng)有了海斯法典,后半部分也不可能拍出來(lái))。

    盡管配角們?nèi)宋镄蜗筘S富,也頗有存在感,但整部戲都是圍繞著一個(gè)主角——死神休假了,死神在人類(lèi)社會(huì)閑逛,死神在思考,死神得了出“愛(ài)情值得人留戀生命”的結(jié)論…… March的死神和這片一樣充滿了一種奇怪的異國(guó)情調(diào)(可能是因?yàn)閯”臼且獯罄藢?xiě)的,場(chǎng)景也設(shè)在意大利,死神在里面又扮作一個(gè)外國(guó)王子),這里的死神一點(diǎn)也沒(méi)有初涉世事的無(wú)知青年感,即使他有的時(shí)候會(huì)發(fā)表一些奇怪的、缺乏人類(lèi)嘗試的言論,卻始終有一種距離感和威嚴(yán)感。

    這片比較讓我驚喜的一點(diǎn)是有配樂(lè),感覺(jué)那個(gè)年代好多電影里配樂(lè)都好少,如果演員聲音尖銳點(diǎn),加上老片音軌質(zhì)量不好,那對(duì)耳朵不是一般的折磨;March的戲劇腔臺(tái)詞聲音已經(jīng)很好聽(tīng)了,但這部還非常多的好聽(tīng)配樂(lè)!不得不說(shuō)是驚喜。

    這片的布景蠻奇怪的,就算是意大利豪宅, 也不一定要有一種在古城廢墟的基礎(chǔ)上搭建了現(xiàn)代別墅的感覺(jué)吧……

     短評(píng)

    有句臺(tái)詞“I thought you modern girls had no nevers”,女主角比起其他的年輕女性角色,仿佛是走古典優(yōu)雅風(fēng),感覺(jué)好像不沒(méi)女配角們爵士時(shí)尚啊,包括嗓音都特別有識(shí)別度,跟那種典型的中氣十足的嗓音不一樣。這讓我覺(jué)得導(dǎo)演在選角上仿佛是有意而為之,成為對(duì)比。本是沖著March看的,但是死神的審美,不大符合我的審美,畢竟里面“morden girls”才是我想看黃金時(shí)代電影的原因之一,導(dǎo)致對(duì)March這個(gè)角色的觀感也一般。本以為會(huì)是霸道總裁式的故事,沒(méi)想到摻雜“女主角向往死亡”“現(xiàn)代空虛”等這些點(diǎn),但電影對(duì)此刻畫(huà)也有限,不是走這條道道,主要還是神秘主義,導(dǎo)致對(duì)電影觀感也一般般了。

    4分鐘前
    • 野老鸛草
    • 較差

    恥度太高,角色間的互動(dòng)甚至比不上皮特版。最大優(yōu)點(diǎn)是時(shí)間不長(zhǎng)

    6分鐘前
    • 長(zhǎng)襪子
    • 還行

    love is greater than illusion…and strong as death.

    7分鐘前
    • 郭七七
    • 力薦

    臺(tái)詞好棒啊,就是結(jié)尾死神突然感慨“愛(ài)情最偉大”balabala有些破壞氣氛……早知道死神長(zhǎng)這樣我就不怕鬼了(?)

    10分鐘前
    • 黑特-007
    • 推薦

    3.5 有一天,死神在意大利扮作一個(gè)王子度假…… 這片竟然有好多好聽(tīng)的配樂(lè)!在那個(gè)年代真是不容易。

    14分鐘前
    • \t^h/
    • 推薦

    death度假隨心所欲, love來(lái)的莫名其妙.那時(shí)的單片眼鏡是怎么戴上去的?很多有趣的臺(tái)詞: state man Fate奇怪沒(méi)有早點(diǎn)introduce us. Oldman . 拍肩膀for other reason.

    17分鐘前
    • 從前以后的
    • 還行

    Fredric March角色對(duì)于恐懼與生命的思考很吸引我 陰影真的是陰影嗎? 為何人們恐懼死亡與黑暗? 有些臺(tái)詞像古典詩(shī)句一般 提出的詢(xún)問(wèn)指向外部 最后回到自身 他有一種冷而優(yōu)雅的氣質(zhì) 孤獨(dú) 他來(lái)到這個(gè)世界 沖擊了人們 重塑了死亡的概念 愛(ài)將會(huì)跨過(guò)界線

    19分鐘前
    • 犬麥翼司
    • 還行

    死亡也許比生命更加簡(jiǎn)單、更加友善,但說(shuō)到底也只是“也許”而已,不確定的事情永遠(yuǎn)令人恐懼。不贊同愛(ài)便是生命的意義、愛(ài)讓人無(wú)懼死亡這類(lèi)浪漫化的說(shuō)法,但這片確實(shí)許多地方都浪漫十足,像是死神與女主初見(jiàn)時(shí)的幾步一回眸,死神撩撥衣服上的花朵,還有女主那惝恍飄忽的神情。最后一幕有些不滿意。

    21分鐘前
    • 優(yōu)杉
    • 推薦

    目測(cè)是根據(jù)舞臺(tái)劇改編的,死神生前是莎劇演員嗎?死神享受3天"凡人假期",卻愛(ài)上一位"小公主",而小公主又對(duì)死亡文化很感冒,這個(gè)題材用79分鐘的長(zhǎng)度展現(xiàn)似乎遠(yuǎn)遠(yuǎn)不夠,情感劇需要的是細(xì)節(jié),很多失敗愛(ài)情劇就是細(xì)節(jié)處理失當(dāng),導(dǎo)致火花來(lái)的不自然。

    24分鐘前
    • DuoDuo???
    • 推薦

    大學(xué)摯友跟我說(shuō)過(guò)曾經(jīng)很想排練這個(gè)劇本,是Meet Joe Black的原型,一直記得。終于有幸看到,真是每一句臺(tái)詞都好美,連看的是英文字幕都察覺(jué)不到!有時(shí)候根本想象不到原來(lái)慢慢地一本正經(jīng)念臺(tái)詞的戲會(huì)如此美妙。

    27分鐘前
    • 么順
    • 力薦

    看過(guò)的最美的關(guān)于抑郁癥患者的電影。

    28分鐘前
    • Caneloni
    • 推薦

    馬奇的死神略萌,有點(diǎn)他以前演化身博士的感覺(jué)。女主眼神飄得很,適合角色。

    30分鐘前
    • 阿傘
    • 還行

    這個(gè)片子……好像歌劇,特別是女主角的聲音。

    34分鐘前
    • bayer04
    • 還行

    萊森的鏡頭啊!!!!為什么最后死神披上黑袍獨(dú)白那一幕 半個(gè)腦袋都在鏡頭外面,,,不能忍啊!!!

    39分鐘前
    • Sally Bowles
    • 還行

    3.5星,雖然舞臺(tái)劇味道濃重但是演員們的表演都非常走心,馬奇的口音真是魔幻。女主角云里霧里不知所謂的樣子確實(shí)像是某種精神疾患者,用這樣的方式去詮釋她對(duì)人生的選擇,不知道究竟是死神太有魅力還是死亡太有吸引力。PS相比新版還是更喜歡這個(gè)老版的結(jié)尾,頗有點(diǎn)愛(ài)倫坡浪漫入骨髓的風(fēng)范。

    41分鐘前
    • 秦諾諾
    • 還行

    類(lèi)似題材都難免流于爛俗 這部算是中規(guī)中矩的敘事派 不知是弗雷德里克的表演 還是他外表特有的黑色氣質(zhì) 讓這個(gè)死神不那么膚淺刻意 像當(dāng)初看他的化身博士一樣 暗黑系絕對(duì)是我男神強(qiáng)項(xiàng)

    42分鐘前
    • 戲夢(mèng)巴黎
    • 還行

    死神全年無(wú)休,討厭上班,給自己放了個(gè)三天小長(zhǎng)假,化作人形,去凡間走一趟,尋找美好事物,探究何為恐懼,被愛(ài)折磨,最終明白生命意義。喜歡這一設(shè)定,不禁聯(lián)想起《模擬人生》作弊玩法,玩家苦苦鉆研,如何與死神相愛(ài),癡迷于終極浪漫。

    47分鐘前
    • shininglove
    • 推薦

    March的氣質(zhì)和演技沒(méi)得說(shuō),威嚴(yán)中帶著初入人世的好奇,還有死神接著人類(lèi)“前言”說(shuō)著南轅北轍的“后語(yǔ)”帶出的那種小喜感,最喜歡“我也碰過(guò)不少人的肩膀,不過(guò)可不是為了換舞伴?!眫女主很明顯打一開(kāi)始就對(duì)死亡充滿了憧憬,但最后影片非要把落腳點(diǎn)放到愛(ài)情上,就挺給前面那些關(guān)于生命、死亡的討論拉胯的。

    50分鐘前
    • touya
    • 還行

    只要你夠帥,死神都有人愛(ài),馬奇的喜劇天賦演起來(lái)有點(diǎn)萌

    51分鐘前
    • 橙子
    • 還行

    I bound myself to life. And now I must bow to it. 臺(tái)詞真美 死神與少女題材,這部居然是罕見(jiàn)的HE

    55分鐘前
    • UID0
    • 還行
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