The movie started with a murder--- Dr.Kimble’s wife was killed at home,with murderer fleeing away, Dr.Kimble was convicted of murder on unfavorable evidence. To find the truth of the incident,he started his fugitive through escaping hunts from Sam (a Federal Judge)with his wisdom and faith,and finally found out the murderer whose murder motive is to make an insecure new drug approved.

After covering the movie,it sets me thinking a lot.First of all,it’s worth to learn from the spirit of Dr.Kimble,which is called “Never give up”. No matter what kinds of obstacle Dr.Kimble came across,he never surrendered to them. There is a scene that impressed me a lot, Dr.Kimble was desperately faced with not only a continuous hunt from Sam but also a waterfall tumbling down in front of him,however,he chose to jump over the waterfall regardless of his safety,which amazed all of us,leaving Sam stunned and still with a word “He never gave up”.

What’s more, Dr.Kimble always played his role so well as a doctor.Above of all,he didn’t start a collusion with pharmaceutical companies for economic benefits,but proved that the new drug did harm to liver tissue and showed opposition to bring the new drug to market for people’s health,which exactly resulted into the murder .Moreover ,he never tried to kill anyone through the fugitive even he had the chance and reason.On the contrary,he told the attending there is a puncture in the upper gastric area in the survivor .Also,he made the correct diagnosis of the little boy with fractured sternum ,changed orders and sent him to surgery in time and thus saved his life.

So there is no denying the fact that Dr.Kimble is a responsible and qualified doctor who worths our respect and learning from.As a medical student,I am prone to complain about our stressful studying and not good at dealing with the hardship and passive emotions.It’s Dr.Kimble who explicates the saying “Nothing is unachievable”.In addition, it is more significant to learn to behave than master medical knowledge before becoming a doctor. Try to bear it in mind that the doctor's motive is to bring an end to his patient's suffering rather than obtain illegitimate interests from them.

In a word,the movie is so inspiring and I got inspired. “ To cure sometimes, to relieve often, to comfort always.” is what I exactly pursue.

整部片子看下來有一種強烈的故事推動人物行動而不是人物推動故事發(fā)展的感覺，不知是不是導(dǎo)演有意為之，但單靠劇本寫不出這種效果，但影片本身確實做到了，這種極致敘事性在一般的電影上實屬罕見。

就劇本本身來說主線簡單明了：被陷害的大夫意外逃脫關(guān)押，面臨追捕單槍匹馬逆襲真相。逃脫和查證并行，查案中嵌套查案，險象環(huán)生令人窒息，查理的智商和運氣在現(xiàn)實版中堪稱“你還想怎樣”，但即使說主線極其單薄卻為何觀影又全程無尿點呢？

1.全程敘事無描寫

準確來說應(yīng)該是沒有人物內(nèi)心描寫，雖然是遭受喪妻之痛、兇殺栽贓，但影片中除去在警局被審問的情感崩潰和幾次夢中宣泄，查理全程都是壓抑恐慌的平靜。當(dāng)情節(jié)進入平穩(wěn)，又立刻查出線索或是重新進入危機，毫無喘息。

2.極少的人物刻畫

除了查理和吉拉兩個一逃一捕主要人物外，其他出場人物基本都是不需要交代名字的串場NPC，全片沒有所謂的女主角，就連兩個大反派的戲份都是追與逃推動出來的簡短對話：查理找借錢尼克斯借錢、查理電話告知尼克斯真相、塞克斯被警察盤問、塞可斯追殺查理。

僅有的幾個人性刻畫都是戛然而止的敘事：查理救警員跳獄車、吉拉射殺挾持警員的逃犯、查理修改小男孩病歷、查理查看被射殺警員脈搏、吉拉警車中打開查理手銬。所有人物性格都只是平鋪在熒幕上讓觀眾自己感受，導(dǎo)演做到最少渲染，純講故事引導(dǎo)觀眾思考，所以你不是在思考就是在緊張沒時間無聊。

兩個吐槽點：

1. 反派由于受到敘事體風(fēng)格影響，出現(xiàn)和終結(jié)得都太突兀，基本上沒有震撼力的表演，殺手不兇殘反是殘疾，幕后黑手選擇查理好友尼克斯不夠勁爆，芝加哥警局高層的行為和指示表現(xiàn)得過于像官商勾結(jié)謀財害命，中段所交代的邁格瑞格醫(yī)藥公司后半段劇情又沒做任何深挖，總以為會在片尾挖出更大的內(nèi)幕，但結(jié)局卻在查理和尼克斯過于寫實的斗毆場面下收場，總體感覺缺點什么。

2. 湯米·瓊斯因為本片獲得奧斯卡最佳男配出乎意料，但回頭一想若非得給個小金人，也確實不能給福特，原因是查理這個角色完全是個機智過人、超強自控、運氣爆表、仁心仁術(shù)的虛幻人物，再強敘事弱描寫也無法掩蓋主角光環(huán)的事實，所以演技再牛與人物設(shè)定一相比就黯淡了許多；相反作為一個職業(yè)警司，角色對于瓊斯需求的敏銳嗅覺、冷酷無情、公事公辦、果敢偏執(zhí)，他都演繹出了一個真實人物應(yīng)有的反應(yīng)，不浮夸不做作，片尾兩人在警車上的調(diào)侃更把吉拉這個角色給演活了，犯錯、尷尬、致歉、懇求保密，一連串更真實的表現(xiàn)讓吉拉這個角色更像是現(xiàn)實中存在的人物。所以福特雖然戲份更多，但輸在了劇本和導(dǎo)演上，是本篇最成功的敘事化表現(xiàn)手法讓他演不出更多的東西，實際上也根本沒有多余的東西讓他發(fā)揮，框早就定好了。

這是一場謀殺，這是一場冤案，這是一場追蹤，這部電影將逃亡拍得淋漓盡致，本來面對妻子被殺，兇手從手中逃脫，金波已經(jīng)非常痛苦，緊接著更出人意料的是他被判為謀殺，還好遇到了獄車事故，還好遇到了追求正義的警察山姆，真相終于水落石出，還了金波的清白，讓正義不再缺席。

我看完后試想自己身處金波孤立無援的境況，那樣無助，內(nèi)心的煎熬與痛苦，可能我撐不下來，但究竟是什么樣的精神力量支撐著這位醫(yī)生，昔日的光彩轉(zhuǎn)為現(xiàn)在的落魄，他對冤死妻子的愛和對真相的堅持使他最終堅持了下來，這樣的精神力量令人佩服，也使人折服。

這部電影的情節(jié)緊湊，是一部不容錯過的動作大片，在懸疑中有恰到好處的打斗，讓人在激情之余又能感受到主人公內(nèi)心的糾結(jié)和痛苦。

《亡命天涯》是一部經(jīng)典的好萊塢大片，也是很早就被引進中國的一部好萊塢大片。作為相似題材的——為無辜的人平反冤案的故事，《亡命天涯》和另一部影史上的經(jīng)典電影——《肖申克的救贖》常常被影評人并提（當(dāng)然，《亡命天涯》比不上《肖申克的救贖》）。 《亡命天涯》的故事很有戲劇性，也有著總體架構(gòu)的典型性。簡單來說，就是妻子被謀殺后丈夫被冤枉，奔走為愛妻平反冤案同時也為自己洗刷罪名的故事。整部片子的拍攝手法是比較好的，故事的推進也合理流暢，對逃亡主題的闡釋十分到位，無愧于經(jīng)典逃亡片的名號。同時，影片中有較多讓人驚喜的細節(jié)和安排，比如合適的音樂，考究的場景，人物之間細膩的感情表現(xiàn)，比如親情。總的來說，這部電影是值得推薦的，是一部經(jīng)得起時間檢驗的經(jīng)典之作。不論是作為娛樂消遣還是出于系統(tǒng)了解電影的目的，這部電影都值得一看。