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劇照
劇情介紹
安吉拉（珍妮·蓋諾 Janet Gaynor 飾）的母親身患重病，急需藥物進行治療。生活在窮困潦倒之中的安吉拉無奈之下只能行竊救命，她的舉動自然遭到了警方的通緝和追捕，安吉拉就此踏上了逃亡的旅途?！ ⊥局校布瓉淼搅艘粋€馬戲團之中，隱姓埋名成為了其中的一名演員，這正好幫助她拜托了警方的糾纏。在馬戲團中，安吉拉邂逅了名為基諾（查爾斯·法萊爾 Charles Farrell 飾）的年輕畫家?；Z雖然有著一身的才華卻依舊只是一個名不見經(jīng)傳的無名畫家，安吉拉的出現(xiàn)激發(fā)了他的靈感，幫助他取得了事業(yè)上的成就，墜入愛河的兩人決定結(jié)婚，但在婚禮舉行之際，警方還是發(fā)現(xiàn)了安吉拉的蹤跡。
長篇影評
1 ) Borzage's Visual Opera -- Coursera notes
Minimal Plots Embellished with Imagery
Light and shadow
Intensive Visuality
He is an auteur who is all about the visual.
Push all story information he can into the visual plane.
Transcedent Romance
Up and down
Operatic melodrama
A close-up of a character gazing upward with light in their eyes
Emotiaonal and Poetic motifs:
window, whistle, fog
painting: a carrier of emotion
"Make the audience sentimental, not the player."
Light and shadow
Intensive Visuality
He is an auteur who is all about the visual.
Push all story information he can into the visual plane.
Transcedent Romance
Up and down
Operatic melodrama
A close-up of a character gazing upward with light in their eyes
Emotiaonal and Poetic motifs:
window, whistle, fog
painting: a carrier of emotion
"Make the audience sentimental, not the player."
2 ) What is Angel?
An angel is not necessarily pure or perfect. The most, no, the only, significant thing, should be her heart.
It’s the first time I took 1 hour 41 minutes without any interruption to watch a movie, a silent movie. And, it is totally worth it.
Without sound, without fantastic modern technologies, nor dazzling colors decors, in general, nothing to abstract me from the basic story telling. Every subtle change on the countenance of the actor and actress, what the director wanted to tell on a particular shot, “enter her world and follow the path of the movie”, it was definitely an a little tiring (at some points, painful) but still enjoyable course.
About the story and characters
Angela, a self-redeemed angel.
She reminded me of a lecture when I was in college. My philosophy teacher once said: It’s nonsense to judge a student good or bad now, cause none of you have been tempted. You’re just sitting inside of this “ivory tower” living a simple life and judging the outsiders with your own imagination, for granted. Only after you experienced the complexity and living pressure of the real life, could you make such judgment about yourself or others.
Someone sank; most drifted, yet a few, survived and reach out for the shore. Like Angela.
Forced by poverty, she made a shamed attempt and ran away from the punishment she deserved. Yet, she always kept her faith—principle for herself, hope for life and love, guilty for wrong-did, believe for tomorrow, and, forgiveness to the others.
We could tell these easily, from the embarrassment of her soliciting attempt, her sticking to separate living before marriage; her upset peering at policemen during her show (which directly led to her accident); She fought with her fear to workhouse and showed enormous courage to leave at that special day, despite of the lose of her love and bright future life with Gino…And at that very moment, the only thing she was worrying, was not her life, but Gino’s.
After released from the workhouse, the really “street angel” asking her to “come down, with me”, yet she refused and chose her way, literally, the high way.
At that time, she became an angel.
While for Gino. He had been a coward.
He attracted by Angela’s hot appearance and character, and lived with this pure image in his imagination, totally unable to extricate.
That’s why he painted her with the Virgin’s feeling. He sees through her, however, he could only understand the appearance, not her kind heart that he should have cherished. When facing misery, he could only solve it with anger, with the desire of total rejection and perish. He seemed talented, well mannered, considerate, like an angel. But what about his inside? The selfishness, narrow and limited mind, was his only inner.
People fooled by the painting, I don’t know what if they found out that the model for that “precious old painting” was just a poor criminal girl, how ironic!!
A street girl could be Mona Lisa, with her purest smile that light up directly to our deepest emptiness.
Every one could be sublimed to an angel, for the force was, is and will always be deep planted in our heart. It’s just too painful to let it grow. Poverty, or suffering could change our life, but the quality of life, happy or misery, are always chosen by us, ourselves, only.
It’s the first time I took 1 hour 41 minutes without any interruption to watch a movie, a silent movie. And, it is totally worth it.
Without sound, without fantastic modern technologies, nor dazzling colors decors, in general, nothing to abstract me from the basic story telling. Every subtle change on the countenance of the actor and actress, what the director wanted to tell on a particular shot, “enter her world and follow the path of the movie”, it was definitely an a little tiring (at some points, painful) but still enjoyable course.
About the story and characters
Angela, a self-redeemed angel.
She reminded me of a lecture when I was in college. My philosophy teacher once said: It’s nonsense to judge a student good or bad now, cause none of you have been tempted. You’re just sitting inside of this “ivory tower” living a simple life and judging the outsiders with your own imagination, for granted. Only after you experienced the complexity and living pressure of the real life, could you make such judgment about yourself or others.
Someone sank; most drifted, yet a few, survived and reach out for the shore. Like Angela.
Forced by poverty, she made a shamed attempt and ran away from the punishment she deserved. Yet, she always kept her faith—principle for herself, hope for life and love, guilty for wrong-did, believe for tomorrow, and, forgiveness to the others.
We could tell these easily, from the embarrassment of her soliciting attempt, her sticking to separate living before marriage; her upset peering at policemen during her show (which directly led to her accident); She fought with her fear to workhouse and showed enormous courage to leave at that special day, despite of the lose of her love and bright future life with Gino…And at that very moment, the only thing she was worrying, was not her life, but Gino’s.
After released from the workhouse, the really “street angel” asking her to “come down, with me”, yet she refused and chose her way, literally, the high way.
At that time, she became an angel.
While for Gino. He had been a coward.
He attracted by Angela’s hot appearance and character, and lived with this pure image in his imagination, totally unable to extricate.
That’s why he painted her with the Virgin’s feeling. He sees through her, however, he could only understand the appearance, not her kind heart that he should have cherished. When facing misery, he could only solve it with anger, with the desire of total rejection and perish. He seemed talented, well mannered, considerate, like an angel. But what about his inside? The selfishness, narrow and limited mind, was his only inner.
People fooled by the painting, I don’t know what if they found out that the model for that “precious old painting” was just a poor criminal girl, how ironic!!
A street girl could be Mona Lisa, with her purest smile that light up directly to our deepest emptiness.
Every one could be sublimed to an angel, for the force was, is and will always be deep planted in our heart. It’s just too painful to let it grow. Poverty, or suffering could change our life, but the quality of life, happy or misery, are always chosen by us, ourselves, only.
3 ) FIFF8丨DAY5《馬路天使》：默片里的偉大愛情
第8屆#法羅島電影節(jié)#主競賽單元第5個放映日為大家?guī)怼恶R路天使》，下面為大家?guī)砬熬€熱戀男女們相濡以沫的評價了！
曲有誤：
蓋諾真美，男女主最后對視時的場景很棒。
子夜無人：
在苔蘚處開花，在卑微中幸福，在塵世間相愛。
zzy花崗巖：
一個頗為曲折的愛情故事，珍妮·蓋諾惹人憐愛。
sky：
劇作如此平庸無趣，技術(shù)也無可取之處，不知為何有人為之動容。
果樹：
的確是好故事與好表演，但全片對我而言最大的問題就是調(diào)性，我看見了一個常講常新的文本，卻沒有聽到影片具有其獨占特性的宣言。
淋酒：
鮑沙其受茂瑙影響頗深，鏡頭與調(diào)度都很有德國味，總的來看這個故事已經(jīng)趨近于日后的好萊塢敘事了，但如果用現(xiàn)在的眼光來看，本片身處于無聲與有聲交替階段，其劣勢很明顯，困于無法用臺詞豐富信息，只能反復(fù)強調(diào)情感，看到后面非常乏味，不過最后的畫像段非常有意思。
我略知她一二：
失敗者們的愛情怎樣都不會看膩，患難見真情，人們都愛窮困潦倒的雪中送炭，這種愛情是互相安慰的索取，是心靈映照的想象。分別后的愛人在霧靄濛濛中重逢，誤會被瓦解，前嫌被冰釋，但是這段感情從這一刻開始已經(jīng)不再對等，雖然依舊美麗如初。 查爾斯·法萊爾是如此的俊美而風(fēng)趣，健壯而可愛，他的笑容是那么的富有魅力，讓人心動的同時沉醉于他獨有的文藝氣息，這才是真正的畫家擁有的風(fēng)范，浪漫不失嚴(yán)謹(jǐn)，漂亮不失果敢，癡情卻不泛濫，多情卻不迷惘。 相比而言珍妮·蓋諾杰出的演繹被搶去了不少風(fēng)頭，但是她依然美麗的不可方物，在黑白無聲中熠熠生輝，閃耀著自己獨特的光芒。
法羅島島主：
其實敘事結(jié)構(gòu)和精神內(nèi)核與《日出》無差，兩個相愛的人受到第三者蠱惑，感情分崩離析，男方想殺害女方，卻最終被感化，有情人終成眷屬。男性都是魯莽的（《日出》里面男主因為一點小爭執(zhí)在舞廳和人打架，《馬路天使》男主離開女主后把生活過的一團糟），女性都是賢惠的（《日出》女主因為丈夫帶自己去城里玩了一天而原諒了他想殺她的事，《馬路天使》女主苦苦哀求男友不要離開自己），一切的問題都源于第三者挑撥（《日出》最后丈夫居然想殺了小三，《馬路天使》則把第三者暗喻成魔鬼），或許也能反映當(dāng)時美國人的價值觀，故事中后段兩人分離的戲份太冗長，鏡頭調(diào)度非常優(yōu)秀，第一屆奧斯卡影后的表演生動細(xì)膩，電影帶有濃濃的宗教氣息。
#FIFF8#DAY5的主競賽場刊評分稍后會為大家釋出，請大家拭目以待了。
4 ) 劇情很感人
也是從 Coursera 好萊塢的語言：故事、聲音與色彩 這門課過來的啦。
片頭部分看不懂，需要一點時間才能融入劇情。
劇情設(shè)計的很妙，特別是女主角要去監(jiān)獄卻瞞著Gino，Gino 激動的描繪幸福的未來的情節(jié)，反差很大。
正如課程中指出，默片比起有聲電影，在神態(tài)動作上面更加到位。
片頭部分看不懂，需要一點時間才能融入劇情。
劇情設(shè)計的很妙，特別是女主角要去監(jiān)獄卻瞞著Gino，Gino 激動的描繪幸福的未來的情節(jié)，反差很大。
正如課程中指出，默片比起有聲電影，在神態(tài)動作上面更加到位。
5 ) MY ANGEL, MY GUIDING STAR
1928 USA
Janet Gaynor和Charles Farwell，也是silents后期著名的熒幕情侶了
受到臺詞的巨響，默片大多擺脫不了melodrama的特點，Street Angel情節(jié)豐滿，詳略得當(dāng)，除結(jié)尾的相遇略顯倉促。影片將音樂的功效發(fā)揮到最大，渲染、鋪墊情緒。全片最動人之處當(dāng)屬Angela與Gino的告別，影片前半部分極力渲染二人貧窮卻甜蜜的生活，從二人戲劇性地相遇，畫像，到返回那不勒斯，從Angela幫Gino脫鞋子、二人吹口哨等細(xì)節(jié)刻畫二人的幸福時光，與警察帶走Angela前Gaynor無聲的道別形成強烈的沖擊感，節(jié)奏張弛有度。男女主二人的演技更不用說，與音樂、攝影相得益彰。
Janet Gaynor和Charles Farwell，也是silents后期著名的熒幕情侶了
受到臺詞的巨響，默片大多擺脫不了melodrama的特點，Street Angel情節(jié)豐滿，詳略得當(dāng)，除結(jié)尾的相遇略顯倉促。影片將音樂的功效發(fā)揮到最大，渲染、鋪墊情緒。全片最動人之處當(dāng)屬Angela與Gino的告別，影片前半部分極力渲染二人貧窮卻甜蜜的生活，從二人戲劇性地相遇，畫像，到返回那不勒斯，從Angela幫Gino脫鞋子、二人吹口哨等細(xì)節(jié)刻畫二人的幸福時光，與警察帶走Angela前Gaynor無聲的道別形成強烈的沖擊感，節(jié)奏張弛有度。男女主二人的演技更不用說，與音樂、攝影相得益彰。
6 ) 默片時代的觀影幸福。Silent Era means more space.
最近剛剛看完Black Mirror，里面一塊塊的大小屏幕吸引著我們，又讓我們不那么投入。
最早電影屏幕就是一張簡單的床單，甚至連音樂都沒有。欣賞之余，人們也在惋惜：要是。。。就更。。。了
人類的欲望推動著電影工業(yè)的技術(shù)，屏幕越來越大，3D的效果越來越逼真，音效場景震撼著我們，但也束縛了我們。
開始看Street Angel完全是因為Coursera的課程要求，起初還擔(dān)心看不進去的問題。
可是不知不覺竟然看完了，而且絲毫沒有出戲，也未覺冗長。（最近去電影院都有不斷吐槽和出戲的情況）。
默片給了我空間，讓我自己把故事完整化，Angela的眼神，動作，表情傳達到我這兒的時候，我自然而然地讀懂了，也感動了。
故事很簡單，但我依舊想要知道結(jié)局會如何，看過太多精心鋪墊的片子，大多時候我總能按編劇的路線猜到了結(jié)局，或者吐槽結(jié)局突兀狗血，不合邏輯。
Street Angel把我單純的變成了一個觀影者，電影用心的講故事，我用心的聽故事，返璞歸真，真好。
最早電影屏幕就是一張簡單的床單，甚至連音樂都沒有。欣賞之余，人們也在惋惜：要是。。。就更。。。了
人類的欲望推動著電影工業(yè)的技術(shù)，屏幕越來越大，3D的效果越來越逼真，音效場景震撼著我們，但也束縛了我們。
開始看Street Angel完全是因為Coursera的課程要求，起初還擔(dān)心看不進去的問題。
可是不知不覺竟然看完了，而且絲毫沒有出戲，也未覺冗長。（最近去電影院都有不斷吐槽和出戲的情況）。
默片給了我空間，讓我自己把故事完整化，Angela的眼神，動作，表情傳達到我這兒的時候，我自然而然地讀懂了，也感動了。
故事很簡單，但我依舊想要知道結(jié)局會如何，看過太多精心鋪墊的片子，大多時候我總能按編劇的路線猜到了結(jié)局，或者吐槽結(jié)局突兀狗血，不合邏輯。
Street Angel把我單純的變成了一個觀影者，電影用心的講故事，我用心的聽故事，返璞歸真，真好。
近一百年一直在被反復(fù)拍的劇情，美麗善良的少女因貧窮被社會逼上絕路，與單純癡心的少年誤會分離又團圓。 腿摔斷的少女在流浪畫家男友懷里問道我們?nèi)ツ?？那不勒斯，?dāng)然是那不勒斯。 默片沒有對白，只有寥寥字幕，已經(jīng)好看過許多有聲電影了。
女主角把少女的可愛和蒙難后的心理掙扎表現(xiàn)得很感人，《我的太陽》跟劇情關(guān)聯(lián)太大，可能是電影配樂時就預(yù)定好的，甚至還有警察叩門的音效。有幾處表現(xiàn)主義的打光。
看默片還是很有感覺的~~~~
Silent Movie leave us more space for imagining and thinking, less for judging and receiving.
第一屆奧斯卡影后獲獎三部中的一部，總的來說還算是拍的不錯的愛情片，雖然前半段有那么一點點的無趣，但是后半段還是拍的挺動人的，就是結(jié)局有點點莫名其妙，看眼睛還能看出個花來么，總的來說還算是比較滿意的一部默片，對默片的要求也沒有特別高。珍妮蓋諾在本片中依然展現(xiàn)了不俗的演技，而且真的能從她飾演的角色中感受到那種純真和善良，至于男主角和珍妮蓋諾在第七天堂中也是一起搭戲的，甚至連發(fā)型都沒變，我都懷疑這兩部電影是不是一起拍的，看起來像姐妹篇一樣（雖然劇情毫無關(guān)系）。
片尾的運動長鏡頭太厲害了，將緊張的氛圍完全融化在了唯美的畫面里。我的太陽被一對戀人用口哨演繹俏皮又深情，類似這樣的情感表現(xiàn)手法日后屢次出現(xiàn)，老段子永遠(yuǎn)不過時依然煽人沒商量。影子的運用和霧氣的運用已經(jīng)不是簡單的氣氛渲染了，它們對敘事起到了很好的輔助作品。PS其實不太喜歡這個故事太膩了
珍妮·蓋諾在第一屆奧斯卡上是憑借3部影片獲得影后殊榮，其實《馬路天使》在這三部中偏弱，不過珍妮·蓋諾出演的角色有所突破：一個街頭流鶯。弗蘭克·鮑沙其使用煙霧創(chuàng)造出了一個偉大的都市場景，另外片中的鏡頭調(diào)度還是令人印象深刻。
coursera上推薦的第一部電影，默片時代最高峰。布光走位和表演都是一絕，男女主角顏值也是高到嚇人。frank borzage好樣的！
一開頭就被震驚到了，推拉搖移一個長鏡頭把街道的360度全景展現(xiàn)出來，《后窗》的開頭與之十分相似。馬戲團情節(jié)有些立不起來，警察不斷出現(xiàn)干擾女主的幸福，曾經(jīng)的污點變成永久的原罪，無法得到原諒，還成為感情破裂的致命因，最后在宗教中得到救贖。后半段對女性的心理有著細(xì)膩呈現(xiàn)，但價值觀有偏頗。
●（開頭）紛繁跟拍長鏡頭竟然這會兒就有了！●一眼看到對方美好真實并把它畫了出來——這個點原來在這么早就有了（我前兩年看b站有視頻畫這個點，我以為是挺新穎的）●本來納悶干嗎來那城，看到富了又理解了??●女主個子好小。再次賺足了我的感動和淚目?！衲兄髡遗鞯拈L鏡頭和之后的一蹶不振也很感人?！窈笃谖乙恢痹跍I目邊緣，結(jié)局更是直接哭了。（我可是鐵石心腸?。∮绕淇囱郧??）●那個時期的好萊塢，導(dǎo)演竟然就同情底層階級被迫站街的了。挺好。（雖然我不能理解出賣自己這種行為）以及，西方怎么站街現(xiàn)象那么多？（社會問題很重）●鮑薩琪導(dǎo)演的男主怎么都這么有愛。秒殺現(xiàn)在偶像劇男主（現(xiàn)在直男癌重到——真是還不如一百年前的鮑導(dǎo)審美）●最后好不容易相逢了，干嗎都不解釋?。??一個跑一個追，何苦呢鬧到這地步？
片名翻譯成《馬路天使》或《街上流鶯》可否？因為愛，相信重生的美麗，你不是我愛的第一個人，但的確是最后一個。
好萊塢經(jīng)典敘事的好多元素在那時已經(jīng)如此熟練的運用，就是劇本bug太多，不符邏輯
監(jiān)獄墻上跳躍的光與影、夜與霧籠罩下的碼頭、經(jīng)過“篡改”的圣光籠罩天使畫像...這部鮑沙其拍得太美太優(yōu)雅了，調(diào)度也絕，幾處令人印象深刻的鏡頭運動，其中Gino走遍酒館尋找Angela和Angela穿過人群觀看壁畫兩個對仗的跟拍我真實拍大腿！鮑沙其的凄美苦情戲真的拍得好看，震撼的結(jié)尾大加分，兩位主演也都表現(xiàn)不錯，蓋諾眼中時時有淚的樣子真叫人憐惜啊...價值觀方面窩倒覺得還好，要用“天使”這個符號，就總得創(chuàng)造一個魔鬼讓她拯救嘛。
譯為《花街神女》才更貼切，和《七重天》的相思離別不同，以一場消失來揭示男女主人公道德觀的碰撞。結(jié)尾的霧碼頭相遇和圣母顯靈為影片畫龍點睛。珍妮·蓋諾在《日出》《七重天》后，演技更上一層樓，三片鼎立摘得第一屆奧斯卡影后桂冠。
神女。鮑沙其的興趣在于展示畫家與模特之間最簡潔的依存關(guān)系（更深層的依存可見于皮亞拉和里維特的電影），以及從中延伸出的形而上與人倫的結(jié)合?！兜谄咧靥臁返摹凹摇?、德古拉和天使。懸掛在教堂之中的畫，天使望向我們所看不到地方，打開了電影的精神世界。
#資料館留影#北影節(jié)時的意外收獲，默片經(jīng)典，當(dāng)?shù)闷鸾?jīng)典稱號。底層小人物悲歡離合，愛和夢想，讓人想起《城市之光》里的夏洛，雖然結(jié)局不免心酸現(xiàn)實依然殘酷，但那份真情卻始終感慰人心。
默片時代銀幕上的偉大愛情故事，劇情在現(xiàn)在不算新意，但是拍出了有趣。真的像天使哎～
愛一個人有多深就看經(jīng)得住怎樣的分離，窮畫家愛上妓女最是解不開的情結(jié)，通常都是以悲劇收場，喜歡這個結(jié)尾，使整部電影升華，感覺他們最終走到一起并非上帝的重新眷顧，而是繼續(xù)完成這場未了的宿命。。。
2017BJIFF#43。電影界早期在極為有限的技術(shù)與硬件下，對“凄美”的一次非常生動的詮釋。更難得的是在這樣一個童話故事里有多場追逐長鏡頭都體現(xiàn)出復(fù)雜的鏡頭運動、調(diào)度與布景。
嗯 我覺得珍妮 蓋諾好美 20世紀(jì)的默片勝過現(xiàn)在的大片千百倍