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This is an interesting yet bizarre little tale of a fictional (as far as I know, anyway) experiment performed during the Stalin-controlled years in the USSR. The main character is changed from a woman into a man. This is part of a larger plan to change more women into men and have a stronger work-force/army, etc. It's a very in-depth character study of the main character, who tries to fit into a world that she (now 'he') doesn't really understand, especially since she's now a man ... Stalin dislikes the results of the experiments and has the scientist killed. The main character then goes off to live a life as a simple, unknown everyday Soviet, but is inexplicably drawn into larger and larger schemes (somewhat reminiscent of "Forrest Gump" in that way). (s)He has run-ins with different important characters, including his ex-boyfriend from his days of being a woman, as well as going on a demented quest for the nurse with whom he possibly fell in love after the operation... However, he is trapped in his life as an important Soviet married man, and in the end makes a huge sacrifice for his country (unwillingly), and the movie goes from there to an ending that is possibly happy, yet still somehow incredibly depressing.
神片
儘管電影略帶浪漫和幽默，但是斯大林的極權(quán)仍然讓人生怕。不同於《狗心》和《直立行走》一類動物間際的化身遊玩，《錘子與鐮刀》中的“性別轉(zhuǎn)換”足以觸動了人類最為根本的欲動——性。電影不僅讓人感到極權(quán)的可怕，而且會讓你感到身體的不適應(yīng)。導(dǎo)演實在有才……
！也可以說是一部恐怖的寓言電影，但是卻擁有非常緊張嚴肅的氣氛，因而它的諷刺感就顯得讓人脊背發(fā)涼。片中的這個世界是一個由國家權(quán)力全面控制的傀儡世界，而講的就是一個按國家意志創(chuàng)造出來的“形象玩偶”的悲劇故事；這個人物既是一個活生生的肉身人，又是一個可悲的沒有主體人格的意識形態(tài)符號
獨裁者目標
呼應(yīng)《阿爾法城》，悶的不行
處理得比較粗放的寓言。結(jié)尾有點拖沓